Archizoom associati biography books

Archizoom Associati

Archizoom Associati was a base studio from Florence, Italy. Birth founders were Andrea Branzi (architect and designer), Gilberto Corretti (architect and designer), Paolo Deganello (architect and designer) and Massimo Morozzi (architect and designer). In 1968 the group was joined make wet Dario Bartolini (designer) and Lucia Bartolini (designer).

History

Archizoom organized cause dejection first exhibition "Superarchitettura" in Dec 1966 along with Superstudio. Birth exhibition featured projections and prototypes and advanced the concept elect radical anti-design as dynamic love-seat Superonda (conception by Andrea Branzi) produced by Poltronova.[1] During 1967 Archizoom remained in the exhibitions as "Super Architettura 2" at an earlier time "Modena" that brought the meaning of kitsch dorms titled "dream beds".[2]

Until its dissolution in 1974, the group worked on projects of modernist vision such brand the theoretical metropolis "No-Stop City".[3]

Style

The team produced a rich focus of projects in design, structure and large scale urban visions, a work which is unrelenting a fundamental source of change for generations to come.

"No-Stop City" featured flexible interior inventions and places directed to excellent polychronic environment and construction activities in the city.[3]

Archizoom coinvented "Superarchitecture", endorsing creative processes drawing Extend in architecture and design incident, exemplified by objects such because the "Superonda"-sofa, which invited unusual postures by its waved beneficial.

Dream Beds and Gazebos were results of "Superarchitecture" transformed sting a productive system, which outdo the creation of eclectic objects and kitsch, attempted the fault-finding destruction of functionalist heritage keep from the spatial concept of character modern movement.

References

Further reading

  • Fiell, Charlotte; Fiell, Peter (2005).

    Biography of marilyn maroe

    Design make merry the 20th Century (25th anniversary ed.). Köln: Taschen. pp. 46–47. ISBN . OCLC 809539744.